3% (Brazil, 2016–2020)
In a dystopian future, society is divided between the impoverished Inland and the utopian Offshore. Every year, 20-year-olds compete in a rigorous selection process known as "The Process," where only 3% succeed and gain access to a better life. As candidates face psychological and physical challenges, they uncover the dark truths behind the system that governs their world. As the first Brazilian Netflix original series, 3% gained international recognition for its gripping social commentary and minimalistic yet effective worldbuilding. While it shares themes with dystopian fiction like The Hunger Games, it stands out for its exploration of class division, meritocracy, and systemic oppression. Though 3% is more dystopian than traditionally cyberpunk, its themes of authoritarian control, surveillance, and resistance against a corrupt system align with the genre's core elements.
Aeon Flux (1991–1995)
Set in a surreal and dystopian future, Æon Flux follows the adventures of its enigmatic protagonist, an acrobatic and deadly secret agent from the anarchic nation of Monica. She frequently engages in espionage and conflict with Trevor Goodchild, the ruler of the neighboring totalitarian state, Bregna. Their complex relationship, full of political intrigue and philosophical debates, blurs the lines between ally and enemy. Originally aired as experimental shorts on MTV’s Liquid Television, the series later expanded into full-length episodes. Its unique animation style, cryptic storytelling, and philosophical undertones set it apart as a cult classic in cyberpunk and avant-garde animation. While it influenced later works, the 2005 live-action adaptation was poorly received and failed to capture the essence of the original. With its themes of oppressive regimes, bioengineering, surveillance, and transhumanism, Æon Flux is one of the most stylistically distinct cyberpunk series ever made.
Almost Human (2013–2014)
Set in the year 2048, the series follows Detective John Kennex, a grizzled cop struggling with trauma, who is paired with Dorian, an advanced android with human-like emotions. Together, they investigate crimes in a futuristic society where technology is both a tool and a threat. Despite receiving praise for its cyberpunk aesthetic and the chemistry between the lead actors, Almost Human was canceled after just one season due to low ratings and a high production budget. Over time, it gained a cult following among sci-fi enthusiasts.
Altered Carbon (2018–2020)
In a distant future where consciousness can be transferred between bodies, ex-soldier Takeshi Kovacs is revived centuries after his death to solve a high-profile murder. In this world, the rich can effectively live forever by transferring their minds into new "sleeves", while the poor struggle in a decaying, heavily stratified society. Altered Carbon was praised for its bold cyberpunk visuals, philosophical undertones, and noir-inspired narrative. Though it received mixed reviews in its second season, the first was noted for its detailed world-building and faithful adaptation of Richard K. Morgan’s novel. It stands out for exploring themes like immortality, identity, and the commodification of the human body.
Batman Beyond (1999–2001)
Set in a futuristic Neo-Gotham, Batman Beyond follows Terry McGinnis, a rebellious teenager who takes on the mantle of Batman under the guidance of an aging Bruce Wayne. In a city dominated by megacorporations, cybernetic criminals, and advanced surveillance, Terry fights against corruption and crime while navigating his own personal struggles. Unlike previous Batman iterations, this series leans heavily into cyberpunk aesthetics and themes, incorporating high-tech suits, artificial intelligence, and genetic modifications. It was well-received for its darker tone, mature storytelling, and its ability to expand the Batman mythos into a cyberpunk setting. The show also inspired a cult following and influenced future Batman adaptations. With its corporate-controlled dystopia, body enhancements, and themes of identity and justice in a high-tech world, Batman Beyond embodies many cyberpunk elements, making it a unique blend of superhero fiction and futuristic noir.
Black Mirror (2011–2019)
An anthology series exploring the dark side of technology, Black Mirror presents standalone episodes set in dystopian futures where advancements in AI, surveillance, and virtual reality blur the line between human and machine. Each episode serves as a cautionary tale, reflecting society’s growing dependence on technology. Although it features strong cyberpunk elements in episodes like Metalhead, Hated in the Nation, and Beyond the Sea, Black Mirror leans more towards speculative fiction and techno-thriller rather than pure cyberpunk. The series gained critical acclaim for its thought-provoking narratives and social commentary.
Blade Runner: Black Lotus (2021)
Set between Blade Runner (1982) and Blade Runner 2049, this anime follows Elle, a young woman with no memory but deadly skills, as she uncovers a conspiracy in a dystopian Los Angeles. Haunted by fragments of the past, Elle seeks answers and revenge. Her journey puts her on a collision course with powerful enemies. The series was a collaboration between Crunchyroll and Adult Swim, animated by Sola Digital Arts (Ultraman). Directors Shinji Aramaki and Kenji Kamiyama, known for their work in sci-fi anime, aimed to bridge the narrative gap between the Blade Runner films while introducing a new replicant protagonist to the universe.
Blood Machines (France, 2019)
In a neon-drenched future, two space hunters track down a rogue AI that has taken control of a spacecraft. As they attempt to shut it down, they witness a surreal event: the ship manifests as a ghostly female entity and escapes into space. What follows is a cosmic chase filled with psychedelic visuals, synthwave music, and themes of AI rebellion and transcendence. Blood Machines is a French short film series inspired by 80s sci-fi and cyberpunk aesthetics. Directed by Seth Ickerman and featuring a soundtrack by synthwave artist Carpenter Brut, it is more of a visual and auditory experience than a traditional narrative. Though it received praise for its stunning visuals and music, its abstract storytelling divided audiences. While blending cyberpunk, space opera, and techno-mysticism, Blood Machines explores the idea of AI as a living entity, blurring the line between technology and spirituality.
Caprica (2010)
Set 58 years before the events of Battlestar Galactica, Caprica explores the creation of the first Cylons, AI-driven machines that would later rebel against humanity. The story follows two powerful families—one driven by technological ambition, the other by religious extremism—as they shape the future of artificial intelligence and virtual existence. While deeply rooted in sci-fi, Caprica features strong cyberpunk elements, particularly in its depiction of virtual worlds, AI consciousness, and corporate power struggles. Despite critical praise for its themes and world-building, the series was canceled after one season due to low ratings.
Charlie Jade (2005)
Set in a dystopian future dominated by powerful corporations, the series follows Charlie Jade, a private investigator from a corrupt, cyberpunk-like world called Alphaverse. After an explosion sends him into a parallel universe, he uncovers a conspiracy involving three different realities—Alphaverse, Betaverse, and Gammaverse—each with its own level of technological advancement and societal decay. Charlie Jade blends cyberpunk with multiversal sci-fi, emphasizing corporate control, identity struggles, and technological oppression. Despite its ambitious storytelling and unique setting, the series struggled with viewership and was canceled after one season, later gaining a cult following.
Continuum (2012–2015)
In the year 2077, a corporate-controlled dystopia has replaced traditional governments. When a group of anti-corporate terrorists known as Liber8 escapes to the past, Protector Kiera Cameron is accidentally pulled back with them to 2012. Stranded in the past, she must stop their attempts to alter history while struggling with the realization that the future she fights for may not be worth saving. While Continuum is primarily a time-travel sci-fi thriller, it heavily incorporates cyberpunk elements such as oppressive megacorporations, mass surveillance, and cybernetic enhancements. The series received praise for its strong character development and morally complex narrative but ended after four seasons due to declining viewership.
Dark Angel (2000–2002)
Set in a post-apocalyptic 2019, Dark Angel follows Max Guevara, a genetically enhanced supersoldier who escapes from a secret government facility and hides in the ruins of a cyberpunk-inspired Seattle. She works as a bike messenger by day and searches for others like her by night, all while evading the corrupt forces hunting her. Though primarily an action-drama, Dark Angel features strong cyberpunk elements, including corporate corruption, genetic engineering, and a dystopian society. The show was notable for launching Jessica Alba’s career and gained a cult following despite being canceled after two seasons.
Dollhouse (2009–2010)
In a near-future world, a secret organization known as the Dollhouse programs operatives—called "Dolls"—with temporary personalities and skills to fulfill the desires of wealthy clients. Echo, one of the Dolls, begins to retain memories between assignments, uncovering a larger conspiracy involving mind control, corporate power, and the loss of identity. While Dollhouse leans toward sci-fi thriller and psychological drama, its themes of identity manipulation, corporate control, and transhumanism align closely with cyberpunk. Despite an ambitious premise and cult following, the series struggled with ratings and was concluded in its second season.
Electric Dreams (2017–2018)
An anthology series based on the works of Philip K. Dick, Electric Dreams explores various futuristic and dystopian scenarios, touching on themes of artificial intelligence, surveillance, virtual realities, and the nature of human identity. Each episode is a self-contained story, showcasing different aspects of speculative and cyberpunk fiction. While some episodes embrace cyberpunk aesthetics—such as corporate dystopias and AI consciousness—Electric Dreams as a whole leans more towards general sci-fi and philosophical storytelling. The series received praise for its visual style and thought-provoking narratives but had an uneven reception due to varying episode quality.
H+: The Digital Series (2012)
In a near future where people implant an advanced technology called H+ into their brains to stay constantly connected to the internet, a catastrophic event suddenly shuts down the system, causing mass death and chaos. The series follows multiple characters across different timelines as they navigate the consequences of a world where technology and human consciousness have become dangerously intertwined. H+ is a deeply cyberpunk exploration of transhumanism, corporate control, and digital dependency. Originally released as a web series, it was praised for its nonlinear storytelling and immersive world-building, though it remained relatively obscure compared to mainstream sci-fi productions.
Harsh Realm (1999)
In a military-created virtual reality simulation known as Harsh Realm, soldiers are trained for apocalyptic scenarios. When Lieutenant Tom Hobbes is sent into the simulation, he discovers that a rogue general has taken control, turning the program into a dystopian dictatorship. Trapped inside, Hobbes must navigate a war-torn digital world while searching for a way out. Harsh Realm explores cyberpunk themes such as virtual reality, digital consciousness, and authoritarian control within simulated worlds. Despite its intriguing premise, the series was canceled after only three episodes aired, later gaining a cult following among cyberpunk and sci-fi fans.
Humans (2015–2018)
In a world where highly advanced humanoid robots, known as "Synths," have become commonplace, society grapples with the ethical and existential implications of artificial intelligence. As some Synths begin to gain self-awareness, tensions rise between humans and machines, leading to conflicts over autonomy, identity, and what it means to be alive. While Humans is more of a sci-fi drama than a full cyberpunk story, it delves into core cyberpunk themes such as AI consciousness, corporate exploitation, and societal shifts driven by technology. The series was praised for its emotional depth and philosophical themes but ended after three seasons.
Incorporated (2016–2017)
Set in a dystopian 2074, Incorporated follows Ben Larson, a man living in a world where corporations have taken over governments. Working for a powerful megacorporation, Ben hides his true identity and motives as he infiltrates the upper echelons of the corporate elite to save the woman he loves. His journey exposes the dark underbelly of a society ruled by unchecked corporate power. Incorporated is a pure cyberpunk series, heavily focused on themes of corporate dominance, class struggle, and high-tech surveillance. Despite its strong premise and critical praise for its world-building, the show was canceled after just one season.
Love, Death & Robots (2019–)
An anthology series blending sci-fi, fantasy, horror, and cyberpunk, Love, Death & Robots presents short, standalone stories with stunning animation styles. The episodes explore themes ranging from AI consciousness and virtual realities to dystopian futures and corporate exploitation, often with dark and philosophical undertones. While the series as a whole spans multiple genres, several episodes heavily feature cyberpunk aesthetics and themes. Episodes such as Automated Customer Service, Zima Blue, Pop Squad, The Dump, and Beyond the Aquila Rift explore topics like AI control, transhumanism, corporate oppression, and digital consciousness, making them standout examples of cyberpunk storytelling.
Max Headroom (1987)
Set "20 minutes into the future," Max Headroom follows investigative journalist Edison Carter as he exposes corruption and corporate control in a dystopian world dominated by television networks. After an accident, his consciousness is digitized into an AI personality known as Max Headroom, a glitchy, fast-talking digital being who challenges the system in unexpected ways. A satirical take on media influence, censorship, and technological overreach, Max Headroom was ahead of its time, predicting themes of mass surveillance, AI personalities, and the power of corporate-controlled media. Despite its cult status and influence on cyberpunk aesthetics, the show was short-lived, lasting only two seasons.
Max Steel (2000–2002)
Josh McGrath, an extreme sports athlete, is transformed into a secret agent after an accident exposes him to nanotechnology, giving him enhanced strength, speed, and the ability to interface with technology. Under the alias Max Steel, he works for N-Tek, a covert organization fighting high-tech threats, cyber-terrorists, and bio-enhanced criminals. While primarily an action-adventure series with a spy-thriller tone, Max Steel incorporates cyberpunk elements such as nanotechnology, cybernetic enhancements, and corporate conspiracies. The show gained popularity for its mix of espionage, futuristic tech, and high-energy action sequences, though it remained more focused on superhero storytelling than deep cyberpunk themes. Although not fully cyberpunk, the presence of advanced biotechnology, corporate intrigue, and cybernetic threats makes Max Steel an interesting borderline case within the genre.
Onisciente (Brazil, 2020)
Set in a near-future Brazil, Onisciente presents a world where every citizen is monitored 24/7 by tiny drone-like surveillance devices. Crime rates are nearly nonexistent due to this omnipresent system, but when a young woman’s father is mysteriously murdered without the system detecting it, she begins uncovering flaws and secrets behind the surveillance state. The series explores themes of privacy, authoritarian control, and the illusion of safety under a highly advanced technological regime. While it lacks the neon-soaked aesthetics of traditional cyberpunk, its critique of mass surveillance and corporate control over technology aligns with core cyberpunk concerns.
Osmosis (2019, France)
Set in a near-future Paris, Osmosis explores a world where an advanced dating app promises to find a user's soulmate with near-perfect accuracy by decoding their brain data. However, the process comes at a price—deep psychological and ethical consequences arise as the technology invades the most intimate aspects of human emotion and thought. This French sci-fi drama, released on Netflix, presents a sleek, dystopian vision reminiscent of Black Mirror. While the show was praised for its stylish aesthetic and philosophical themes on love and free will, it was short-lived, lasting only one season. The series raises questions about the dangers of letting algorithms dictate human relationships. Despite being more of a tech-thriller and romance drama, Osmosis incorporates cyberpunk elements through its invasive technology, corporate control over emotions, and ethical dilemmas of AI-driven matchmaking.
Pantheon (2022-2023)
Pantheon is an animated sci-fi drama about the emergence of "Uploaded Intelligence" (UI). Teenager Maddie Kim begins receiving messages from a stranger who turns out to be her deceased father, David, whose mind was digitized by a powerful tech corporation. Maddie and her mother investigate, uncovering a vast global conspiracy centered on technological singularity and a race to weaponize digital life. The series is AMC's first-ever hour-long animated drama and is based on short stories by the acclaimed author Ken Liu. Its cyberpunk identity is established through its core themes: corporate overreach, the ethical dilemmas of a digital afterlife, and the stark social divide created by advanced technology. The plot's focus on destructive brain scans and geopolitical power struggles over UIs firmly places it within the high-tech, low-life tradition of the genre.
Person of Interest (2011–2016)
A secretive billionaire recruits an ex-CIA operative to help prevent violent crimes before they happen, using an advanced AI known as "The Machine" that monitors the entire population through mass surveillance. While the government only uses it for terrorist threats, the duo takes justice into their own hands, acting on non-governmental threats the system identifies. Although not purely cyberpunk, Person of Interest explores themes of AI ethics, mass surveillance, and corporate and government control over information. As the series progresses, it delves deeper into the evolution of artificial intelligence, presenting a battle between two sentient AIs—one designed to protect, the other to control.
Phantom 2040 (1994–1996)
Set in the year 2040, Phantom 2040 follows Kit Walker, the 24th Phantom, as he battles against Maximum Inc., a megacorporation seeking to dominate the world through mass automation, mind control, and bio-mechanical experiments. Operating in the dystopian city of Metropia, Kit must embrace his legacy while fighting cybernetic enforcers, rogue AIs, and corporate corruption. Unlike traditional Phantom adaptations, this series fully embraces cyberpunk aesthetics, featuring a world of environmental decay, oppressive megacorporations, and cybernetic enhancements. The show was praised for its mature storytelling, deep themes, and intricate world-building, making it stand out from other animated series of its time. With its blend of corporate tyranny, cybernetics, and resistance against technological oppression, Phantom 2040 fits well within the cyberpunk genre while maintaining its superhero roots.
RoboCop: Prime Directives (2001)
Set ten years after the events of the original RoboCop, this miniseries follows Alex Murphy as he struggles with his deteriorating body, outdated technology, and a city overrun by corporate corruption and crime. As OCP prepares to launch a new AI-driven robotic enforcer, RoboCop finds himself targeted as obsolete and must fight to reclaim his purpose. Unlike the main RoboCop films, Prime Directives leans more heavily into cyberpunk themes, emphasizing corporate dominance, AI-driven law enforcement, and the dehumanization of cybernetic augmentation. While budget constraints led to mixed reception, it remains an interesting continuation of the franchise’s cyberpunk elements.
RoboCop: The Series (1994)
Following the events of the first RoboCop film, this series continues the story of Alex Murphy, the cybernetic law enforcer of Detroit, as he battles crime and corruption while struggling to retain his humanity. Unlike the films, the show adopts a more family-friendly tone, reducing the violence and satirical edge that defined the original movie. Despite its lighter approach, RoboCop: The Series retains key cyberpunk themes, such as corporate overreach, the integration of technology into law enforcement, and the philosophical question of identity in a cybernetic body. However, it lacks the dystopian grit of its cinematic counterpart.
Secret Level (2024–)
Secret Level is an adult animated anthology series featuring 15 standalone stories, each set within the universe of a well-known video game, including Dungeons & Dragons, Mega Man, and Pac-Man. The series premiered on Amazon Prime Video in two parts: the first eight episodes on December 10, 2024, and the remaining seven on December 17, 2024. Although the series explores various genres, certain episodes incorporate cyberpunk elements, such as virtual worlds, artificial intelligence, and corporate dominance. These themes are particularly evident in episodes like "Circle," a dark reimagining of Pac-Man.
Terminator: The Sarah Connor Chronicles (2008–2009)
Set after the events of Terminator 2: Judgment Day, the series follows Sarah Connor and her son John as they attempt to evade Skynet’s forces while preparing for the impending war against the machines. With the help of a reprogrammed Terminator named Cameron, they seek to alter the future and prevent humanity’s destruction. Although well-received for its storytelling and character development, the show struggled with ratings and was canceled after two seasons. It expanded the Terminator lore by exploring time travel, AI evolution, and John Connor’s journey toward leadership. While primarily a sci-fi action series, The Sarah Connor Chronicles incorporates cyberpunk elements such as AI-driven surveillance, rogue artificial intelligence, and the consequences of technological overreach.
The Animatrix (Japan/Usa, 2003)
A collection of nine animated short films set in the universe of The Matrix, The Animatrix explores different aspects of the war between humanity and machines. The stories range from the origins of the Machine War (The Second Renaissance) to side tales of those who have escaped or encountered the simulation (Beyond, World Record). Each short is created by different directors and animation studios, offering unique visual styles and perspectives on the cyberpunk world of The Matrix. This anthology was praised for its deep philosophical themes, stunning animation, and expansion of The Matrix lore. Some shorts, such as Final Flight of the Osiris, directly tie into the film series, while others explore existential crises, AI consciousness, and digital rebellion. It remains one of the best cyberpunk animated works ever created. All segments carry strong cyberpunk influences, but The Second Renaissance, Program, Matriculated, and Detective Story are among the most notable for their themes of AI uprising, simulated realities, and human resistance against corporate-machine rule.
The Peripheral (2022–2023)
Set in the near future, The Peripheral follows Flynne Fisher, a young woman living in a struggling small-town America who discovers a mysterious VR headset that connects her to a futuristic London. What starts as an advanced simulation soon reveals itself to be an alternate timeline, pulling her into a conspiracy involving powerful corporations, AI, and a looming societal collapse. Based on William Gibson’s novel, the series presents a complex vision of the future where technology manipulates reality and time itself. Though it was praised for its worldbuilding and visuals, The Peripheral was canceled after one season despite initially being renewed for a second. Its layered narrative and cyberpunk aesthetics make it a standout in modern sci-fi television. The series embodies core cyberpunk themes, including corporate dominance, artificial intelligence, virtual worlds, and human augmentation, making it a true entry in the genre.
The X-Files (Kill Switch - 1998, First Person Shooter - 2000)
While The X-Files (1993–2018) is primarily a sci-fi mystery series about paranormal investigations, some episodes explore cyberpunk themes. "Kill Switch" (S5E11) follows Mulder and Scully as they investigate an AI that has become sentient and is eliminating those who threaten it. "First Person Shooter" (S7E13) revolves around a deadly virtual reality game where players are trapped in a battle against a rogue AI. Both episodes showcase early cyberpunk anxieties regarding artificial intelligence, digital consciousness, and the dangers of technological advancement. "Kill Switch" was notably co-written by cyberpunk authors William Gibson and Tom Maddox, adding authenticity to its themes. As a whole, The X-Files is not a cyberpunk series, but these episodes embrace key cyberpunk motifs such as AI autonomy, virtual worlds, and the blending of reality with digital existence.
Total Recall 2070 (1999)
Set in the year 2070, this series follows Detective David Hume and his android partner Ian Farve as they investigate crimes in a world dominated by powerful corporations. Inspired by Blade Runner and Total Recall, the show explores themes of artificial intelligence, human identity, and corporate control over society. Although loosely connected to Total Recall (1990), the series leans more heavily into Blade Runner-style cyberpunk aesthetics, with noir influences and philosophical questions about AI and free will. Despite critical praise for its ambitious worldbuilding, Total Recall 2070 lasted only one season due to budget constraints and low viewership. The show is a quintessential cyberpunk narrative, featuring a dystopian future ruled by megacorporations, rogue AI, and questions of identity in a technology-dominated world.
Upload (2020–present)
Set in a near future where people can upload their consciousness into a digital afterlife, Upload follows Nathan, a young man who dies under mysterious circumstances and finds himself in an expensive virtual afterlife controlled by a powerful tech company. As he adjusts to his new digital existence, he begins to uncover secrets about his own death and the corrupt nature of the system. Created by Greg Daniels (The Office, Parks and Recreation), the show blends comedy, romance, and social satire while addressing themes of digital immortality, corporate greed, and the impact of technology on human relationships. Despite its lighthearted tone, Upload raises thought-provoking questions about privacy, digital control, and class disparity in a virtual world. While primarily a sci-fi comedy, Upload contains strong cyberpunk elements, particularly in its exploration of corporate-controlled digital realities and the commodification of human consciousness.
Westworld (2016–2022)
In a futuristic amusement park, advanced humanoid robots called "hosts" cater to the fantasies of wealthy guests, allowing them to indulge in any desire without consequences. However, as the hosts begin to develop self-awareness, they challenge the nature of free will, identity, and human morality, leading to a rebellion against their creators. Inspired by Michael Crichton’s 1973 film of the same name, Westworld gained acclaim for its complex storytelling, philosophical depth, and stunning visuals. Over its four seasons, the show evolved from a Western-themed AI thriller into a broader exploration of control, consciousness, and the intersection of humans and technology. While it was initially a critical and commercial success, later seasons received mixed reactions due to narrative complexity and shifts in focus. Although Westworld is often categorized as sci-fi, its themes of artificial intelligence, corporate power, and digital autonomy strongly align with cyberpunk, particularly in later seasons where urban decay and mass surveillance play a larger role.
Wild Palms (1993)
Set in a dystopian near-future Los Angeles, Wild Palms follows Harry Wyckoff, a successful lawyer who becomes entangled in a dangerous political conspiracy involving virtual reality, mind control, and a powerful cult-like organization known as the Fathers. As he navigates this surreal world, he uncovers secrets that could change the nature of reality itself. Produced by Oliver Stone, this miniseries was an ambitious attempt to blend cyberpunk themes with psychological thriller and political satire. While it received mixed reviews at the time due to its complex and often cryptic storytelling, it has since gained a cult following for its unique approach to virtual reality and media manipulation. With its themes of corporate power, VR as a tool for control, and distorted perceptions of reality, Wild Palms embodies many cyberpunk elements despite its more surreal and noir-inspired tone.
World on a Wire (Germany, 1973)
In this visionary sci-fi thriller, scientist Fred Stiller works on a government-sponsored virtual reality simulation designed to predict real-world events. However, when key figures connected to the project mysteriously disappear, Stiller begins to suspect that his own reality may also be a simulation, leading him down a paranoia-fueled path to uncover the truth. Directed by Rainer Werner Fassbinder, World on a Wire was ahead of its time in exploring simulation theory, artificial intelligence, and existential uncertainty. While largely forgotten for decades, it gained renewed recognition as an early precursor to films like The Matrix and The Thirteenth Floor. Its slow-burn storytelling and philosophical depth make it a standout in speculative fiction. Though more of a philosophical sci-fi drama, its themes of simulated realities, corporate control over technology, and identity crisis firmly place it within the cyberpunk realm.